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		<title>Tristan da Cunha: recensione di Maris Stella</title>
		<link>https://www.rockshock.it/tristan-da-cunha-recensione-di-maris-stella/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Mon, 20 Jul 2026 04:39:51 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Arvo Pärt]]></category>
		<category><![CDATA[Boring Machines]]></category>
		<category><![CDATA[Francesco Vara]]></category>
		<category><![CDATA[Godspeed You! Black Emperor]]></category>
		<category><![CDATA[isolazionismo]]></category>
		<category><![CDATA[Luca Scotti]]></category>
		<category><![CDATA[Maris Stella]]></category>
		<category><![CDATA[musica neoclassica]]></category>
		<category><![CDATA[musica sperimentale italiana]]></category>
		<category><![CDATA[Nicolò Vara]]></category>
		<category><![CDATA[post drone]]></category>
		<category><![CDATA[post rock italiano]]></category>
		<category><![CDATA[recensioni RockShock]]></category>
		<category><![CDATA[Tristan da Cunha]]></category>
		<category><![CDATA[viola]]></category>
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					<description><![CDATA[Tristan da Cunha, Maris Stella: la recensione dell'album per Boring Machines. Post drone, viola e liturgia laica dell'isolamento nel nuovo disco del trio pavese.]]></description>
		
		
		
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		<title>Rolling Stones: recensione di Foreign Tongues</title>
		<link>https://www.rockshock.it/rolling-stones-recensione-di-foreign-tongues/</link>
		
		<dc:creator><![CDATA[Andrea Musumeci]]></dc:creator>
		<pubDate>Sat, 18 Jul 2026 09:26:26 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[ballad]]></category>
		<category><![CDATA[blues]]></category>
		<category><![CDATA[blues rock]]></category>
		<category><![CDATA[boogie rock]]></category>
		<category><![CDATA[garage]]></category>
		<category><![CDATA[r&b]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[rhytm & blues]]></category>
		<category><![CDATA[rock and roll]]></category>
		<category><![CDATA[rockshock]]></category>
		<category><![CDATA[rolling stones]]></category>
		<category><![CDATA[roots]]></category>
		<category><![CDATA[soul]]></category>
		<category><![CDATA[southern rock]]></category>
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					<description><![CDATA[Con il nuovo album Foreign Tongues, gli Stones ricordano che la musica resta il linguaggio universale per eccellenza, capace di superare confini e differenze.]]></description>
		
		
		
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		<title>Mamas Gun: recensione di DIG!</title>
		<link>https://www.rockshock.it/mamas-gun-recensione-di-dig/</link>
		
		<dc:creator><![CDATA[Andrea Musumeci]]></dc:creator>
		<pubDate>Fri, 17 Jul 2026 04:31:10 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[chill out]]></category>
		<category><![CDATA[funk]]></category>
		<category><![CDATA[gospel]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[nu-soul]]></category>
		<category><![CDATA[piano ballad]]></category>
		<category><![CDATA[r&b]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[rhytm & blues]]></category>
		<category><![CDATA[rockshock]]></category>
		<category><![CDATA[soul]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105083</guid>

					<description><![CDATA[Con il nuovo album DIG!, i Mamas Gun, come archeologi delle emozioni, invitano a scavare oltre la superficie delle cose e delle apparenze, rievocando l'epoca d'oro della black music, fra atmosfere Motown e Philly Sound. ]]></description>
		
		
		
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		<title>The Hornets: recensione di Screaming Out Loud</title>
		<link>https://www.rockshock.it/the-hornets-recensione-di-screaming-out-loud/</link>
		
		<dc:creator><![CDATA[Andrea Musumeci]]></dc:creator>
		<pubDate>Wed, 15 Jul 2026 05:23:43 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[blues rock]]></category>
		<category><![CDATA[ep]]></category>
		<category><![CDATA[garage rock]]></category>
		<category><![CDATA[hard rock]]></category>
		<category><![CDATA[melodic punk]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[rock and roll]]></category>
		<category><![CDATA[rockshock]]></category>
		<category><![CDATA[sleaze rock]]></category>
		<category><![CDATA[street punk]]></category>
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					<description><![CDATA[La band modenese The Hornets torna a far ronzare i plettri con l'EP Screaming Out Loud, un rock'n'roll ruvido e stradaiolo in cui emerge un'attitudine festaiola e immediata da club. Siete pronti a sfrenare la gamba come ai vecchi tempi? ]]></description>
		
		
		
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		<title>Jared James Nichols: recensione di Louder Than Fate</title>
		<link>https://www.rockshock.it/jared-james-nichols-recensione-di-louder-than-fate/</link>
		
		<dc:creator><![CDATA[Emiliano Romanelli]]></dc:creator>
		<pubDate>Mon, 13 Jul 2026 05:00:05 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[country]]></category>
		<category><![CDATA[gospel]]></category>
		<category><![CDATA[pop]]></category>
		<category><![CDATA[rock]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105049</guid>

					<description><![CDATA[Un album muscolare e versatile: Jared James Nichols conferma di essere una delle chitarre più incandescenti della scena rock contemporanea.]]></description>
		
		
		
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		<title>Cowards: recensione di Can You Hear Me?</title>
		<link>https://www.rockshock.it/cowards-recensione-di-can-you-hear-me/</link>
		
		<dc:creator><![CDATA[Elisabetta Laurini]]></dc:creator>
		<pubDate>Sun, 12 Jul 2026 06:20:10 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Bloody Sound]]></category>
		<category><![CDATA[Can You Hear Me?]]></category>
		<category><![CDATA[Cowards]]></category>
		<category><![CDATA[Giulia Tanoni]]></category>
		<category><![CDATA[God Hates Cowards]]></category>
		<category><![CDATA[Luca Piccinini]]></category>
		<category><![CDATA[Michele Prosperi]]></category>
		<category><![CDATA[musica indipendente italiana]]></category>
		<category><![CDATA[noise-rock]]></category>
		<category><![CDATA[post punk]]></category>
		<category><![CDATA[recensione album]]></category>
		<category><![CDATA[shoegaze]]></category>
		<category><![CDATA[trio marchigiano]]></category>
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					<description><![CDATA[I Cowards tornano con Can You Hear Me?, secondo album su Bloody Sound: noise, post-punk e shoegaze tra paura, disagio sociale e collasso emotivo.]]></description>
		
		
		
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		<title>Graham Coxon: recensione di Castle Park</title>
		<link>https://www.rockshock.it/graham-coxon-recensione-di-castle-park/</link>
		
		<dc:creator><![CDATA[Emiliano Romanelli]]></dc:creator>
		<pubDate>Fri, 10 Jul 2026 05:12:49 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[brit-pop]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[soul]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105086</guid>

					<description><![CDATA[Graham Coxon torna con un album che profuma di sixties, brit‑pop e artigianato pop‑rock: un lavoro classico, elegante, senza fronzoli.]]></description>
		
		
		
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		<title>Sincere Engineer: recensione di Probable Claws</title>
		<link>https://www.rockshock.it/sincere-engineer-recensione-di-probable-claws/</link>
		
		<dc:creator><![CDATA[Emiliano Romanelli]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 04:17:20 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[alternative rock]]></category>
		<category><![CDATA[emo]]></category>
		<category><![CDATA[punk]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105043</guid>

					<description><![CDATA[Tra pop‑punk, alternative e vibrazioni emo, i Service Engineer tornano con un disco energico ma non sempre incisivo.]]></description>
		
		
		
			</item>
		<item>
		<title>Residuo: recensione di Qui non passa</title>
		<link>https://www.rockshock.it/residuo-recensione-di-qui-non-passa/</link>
		
		<dc:creator><![CDATA[Marcello Berlich]]></dc:creator>
		<pubDate>Wed, 08 Jul 2026 05:00:51 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[Esseforte]]></category>
		<category><![CDATA[Il Tipo di Jesi]]></category>
		<category><![CDATA[ITDJ]]></category>
		<category><![CDATA[metal]]></category>
		<category><![CDATA[musica sperimentale]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[Residuo]]></category>
		<category><![CDATA[Tommaso Sampaolesi]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105028</guid>

					<description><![CDATA[Breve ma intenso viaggio nei territori della sperimentazione, Residuo è il nuovo progetto di Tommaso Sampaolesi che, in un lavoro in cui la sola chitarra acustica viene passata attraverso frammentazioni e manipolazioni, alla ricerca di nuovi sentieri espressivi.]]></description>
		
		
		
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		<title>BBCC: recensione di King Michael Il and the Trial of the Axe</title>
		<link>https://www.rockshock.it/bbcc-recensione-di-king-michael-il-and-the-trial-of-the-axe/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Tue, 07 Jul 2026 04:54:01 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[avant-pop]]></category>
		<category><![CDATA[avant-rock]]></category>
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					<description><![CDATA[I BBCC pubblicano King Michael II and the Trial of the Axe: un disco eccessivo per scelta, un concept album tra teatro, synth analogici e rock barocco.]]></description>
		
		
		
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